Watching these two clips back to back, there a feeling of this hidden narrative that haunts both films (Perhaps more for Singin' in the Rain than for Mulholland Dr.) It is our human nature to find a connections to and make sense of what we are seeing. When viewing them in this order, I don't attribute Lina Lamont's expression of anxiety to the curtain being lifted from the stage and being exposed, but to what happened to the singer in Mulholland Dr. Whether or not it was Lynch's intention to directly reference Singin' in the Rain (does anyone know?), this comparison definitely speaks to the power of the film archive as a ever changing meta-narrative.
Monday, October 22, 2012
Film Archive as a Meta-Narrative
I was listening to Filmspotting the other day---its a great movie podcast by the way---and I happened to catch a tidbit about this strange connection between a scene from David Lynch's Mulholland Dr. (2001) and the ending of Singin' in the Rain (1952):
Watching these two clips back to back, there a feeling of this hidden narrative that haunts both films (Perhaps more for Singin' in the Rain than for Mulholland Dr.) It is our human nature to find a connections to and make sense of what we are seeing. When viewing them in this order, I don't attribute Lina Lamont's expression of anxiety to the curtain being lifted from the stage and being exposed, but to what happened to the singer in Mulholland Dr. Whether or not it was Lynch's intention to directly reference Singin' in the Rain (does anyone know?), this comparison definitely speaks to the power of the film archive as a ever changing meta-narrative.
Watching these two clips back to back, there a feeling of this hidden narrative that haunts both films (Perhaps more for Singin' in the Rain than for Mulholland Dr.) It is our human nature to find a connections to and make sense of what we are seeing. When viewing them in this order, I don't attribute Lina Lamont's expression of anxiety to the curtain being lifted from the stage and being exposed, but to what happened to the singer in Mulholland Dr. Whether or not it was Lynch's intention to directly reference Singin' in the Rain (does anyone know?), this comparison definitely speaks to the power of the film archive as a ever changing meta-narrative.
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